Sanguine Solstice
Custom software, drawing robot, sepia ballpoint pen on yupo paper. 30 x 30cm unframed. Limited edition of 15 commissioned for the Besingende Gedálland record, Almanac for a Sanguine Solstice. Numbered and signed. Each piece is a pen drawing, not a print. The top and bottom of the drawing trace elements of the landscape in Tentsmuir and Dunwich where the recordings for the album were made. Towards the middle of page, these elements are gradually distorted by field recordings captured in those locations.
A note on care of the drawings: where possible I use ink that is certified for archival purposes, however even these inks can fade or change colour when exposed to UV light. I recommend avoiding hanging original drawings in direct sunlight, and using UV filtering glass when framing if possible.
Custom software, drawing robot, sepia ballpoint pen on yupo paper. 30 x 30cm unframed. Limited edition of 15 commissioned for the Besingende Gedálland record, Almanac for a Sanguine Solstice. Numbered and signed. Each piece is a pen drawing, not a print. The top and bottom of the drawing trace elements of the landscape in Tentsmuir and Dunwich where the recordings for the album were made. Towards the middle of page, these elements are gradually distorted by field recordings captured in those locations.
A note on care of the drawings: where possible I use ink that is certified for archival purposes, however even these inks can fade or change colour when exposed to UV light. I recommend avoiding hanging original drawings in direct sunlight, and using UV filtering glass when framing if possible.
Custom software, drawing robot, sepia ballpoint pen on yupo paper. 30 x 30cm unframed. Limited edition of 15 commissioned for the Besingende Gedálland record, Almanac for a Sanguine Solstice. Numbered and signed. Each piece is a pen drawing, not a print. The top and bottom of the drawing trace elements of the landscape in Tentsmuir and Dunwich where the recordings for the album were made. Towards the middle of page, these elements are gradually distorted by field recordings captured in those locations.
A note on care of the drawings: where possible I use ink that is certified for archival purposes, however even these inks can fade or change colour when exposed to UV light. I recommend avoiding hanging original drawings in direct sunlight, and using UV filtering glass when framing if possible.